Songs From This and That Country
Gail Sidonie Sobat
It is 1996: a mortar shell explodes, shredding nine Sarajevan citizens while a Canadian opera singer and others huddle together in horrified solidarity; thirty years earlier: a mother gives birth to a caul baby, a strange child who seems able to will events into being; forty-five years earlier: a young man returns home from the Italian front and his hair has turned snow white; six hundred years earlier: a young woman leaves her father, a despot under the Ottomans, to meet the witch Baba Roga from whom she learns that father and Turk are not so very different; and back in 1996: a young opera singer, estranged from her parents, sings about all of this and contemplates killing her father.
Songs From This and That Country is an intergenerational story that examines the reality of age-old ethnic conflicts between Serbs-Croats-Muslims, exposing these divisive and acrimonious relationships as recursive and mirrored in the lives of first- and second-generation families. As a blend of family drama, historical fact and fairy tale, Songs from This and That Country reflects a South Slavic immigrant experience, WWII infantry service in 1940s Italy, the Bosnian conflicts in the 1990s, and the rise of a second generation Serb-Canadian opera singer–all set in relief to a Slavic fairy tale in the time of the Ottoman Empire.
Advance Praise for Songs From This and That Country
“A visceral depiction of the inhumanity of oppression, Songs From This and That Country is, at its core, an unforgettable story of the evocative resonance of one’s past.” –Don Aker, bestselling author of The First Stone
“There is so much splendid storytelling and writing here.” –Scot Morison, writer and producer at The Company of Writers
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“How the characters connect with both music that heals and songs of ‘violence and terror’ is the stuff of this haunting novel … Careful to keep her readers sensitive to the disturbing currents running through a disturbing social reality, she nevertheless allows that songs can be redemptive. The last note in the novel is, movingly, the song of a skylark.” — Theo Dombrowski, BC Book Review












